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Today, art conservation thrives on the power of collaboration. Follow us into Getty’s paintings conservation studio where Nikita has been working with fellow Getty experts on conserving this 400-year-old large-scale painting. 🖼️ Larder Still Life with Housekeeper and Young Boy, 1636–1638, Frans Snijders and Workshop and Workshop of Peter Paul Rubens. Getty Museum | Getty
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Today, art conservation thrives on the power of collaboration. Follow us into Getty’s paintings conservation studio where Nikita has been working with fellow Getty experts on conserving this 400-year-old large-scale painting. 🖼️ Larder Still Life with Housekeeper and Young Boy, 1636–1638, Frans Snijders and Workshop and Workshop of Peter Paul Rubens. Getty Museum | Getty
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The days are hot, the museum's AC stays cold. 👉 getty.edu/visit | Getty
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The days are hot, the museum's AC stays cold. 👉 getty.edu/visit | Getty
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Hear from Claudia Cancino, Senior Project Specialist at the Getty Conservation Institute, about the 2025 International Course on Earthen Architecture Conservation #UAE #AbuDhabi #Architecture Getty Conservation Institute Department of Culture and Tourism Abu Dhabi Culture | UAE Forsan English
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Hear from Claudia Cancino, Senior Project Specialist at the Getty Conservation Institute, about the 2025 International Course on Earthen Architecture Conservation #UAE #AbuDhabi #Architecture Getty Conservation Institute Department of Culture and Tourism Abu Dhabi Culture | UAE Forsan English
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Art conservation or synchronized dance routine? This is a crucial moment in the treatment of a painting, both for the artwork and for the conservators. After many months of painstakingly analyzing, studying, and cleaning the painting, it is now time for varnishing. This step is done to saturate the colors, and to ensure the painting underneath is protected. Now it is one step closer to going back on view. Enjoy this glimpse into the work of a paintings conservator? Follow to keep up with the pro
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Art conservators are gathered at the Getty Center to learn alchemy—well, kind of. They are learning about bronze patination, and the specialized techniques and tools needed to achieve different color surfaces. It's important for conservators to broaden their toolkit and learn to treat all kinds of materials, as many ancient to modern artworks are made of bronze. Getty puts on workshops like these as part of our commitment to serving the field and expanding access to trainings for this important
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Get in on the secret of what's behind the frame. This painting has been in the conservation studio getting ready for display—and after many months of careful study and treatment, it's on view in the galleries for the first time. This work by Spanish Renaissance painter Luis de Morales features Christ Carrying the Cross. Painted around 1565, its wooden support was expanded in some point in its history. This wasn't an unusual practice back then, as collectors changed the size of artworks to better
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Getty on Instagram: "Today, art conservation thrives on the power of collaboration. Join us in Getty’s paintings conservation studio where Nikita has been working with fellow Getty experts on conserving this 400-year-old large-scale painting. Follow to keep up with the progress on the painting in upcoming videos. 🖼 Larder Still Life with Housekeeper and Young Boy, 1636–1638, Frans Snijders and Workshop, and Workshop of Peter Paul Rubens. Getty Museum"
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Getty on Instagram: "Art conservation or synchronized dance routine? This is a crucial moment in the treatment of a painting, both for the artwork and for the conservators. After many months of painstakingly analyzing, studying, and cleaning the painting, it is now time for varnishing. This step is done to saturate the colors, and to ensure the painting underneath is protected. Now it is one step closer to going back on view. Enjoy this glimpse into the work of a paintings conservator? Follow to
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